| Sally Ann Gritton - ARTISTIC Director | |
| Sally is a co-founder of Sorted Productions. She has an MA in Text & Performance with Distinction from RADA and Kings College, and a First Class BA(Hons) Drama and Theatre Arts from Goldsmiths College. She is also a freelance Acting Tutor/Director for Mountview Academy of Theatre Arts. Directing (theatre credits): Sorted Symposium: Welsh Writing in English (Soho Theatre), Waiting at the Water's Edge (Players Theatre and on tour to Clwyd Theatr Cymru), Becketts Blue Shorts (BAC - project director), Kick the Breeze (BAC), Killing Time (Union Theatre), Yerma (Bridge Lane Theatre), Shakers, Shakers re-stirred (for Mainbrace Theatre at the Brockley Jack Theatre), Lady of the Lake (Brockley Jack Theatre) Rattle of a Simple Man (White Bear/Barons Court), Never Again (Victoria Central Library). Acting (theatre credits): May in Footfalls (BAC); The Great Theatre of the World (Royal Festival Hall); Not I (Man in the Moon); The House of Bernada Alba (Man in the Moon); Spring Awakening (Brockley Jack Theatre); Othello (Wimbledon Studio Theatre); The Signpost (Exeter Guildhall); Merry Wives of Windsor (QK Theatre). Acting (TV/Radio/Media credits): Cascanda (dir. by Neils Stern for radio); Tales from the Norse Gods (CD-ROM storybook); Sky Television voiceover programme links. Photographic art model for Hannah Starkey (exhibitions in Milan, Dublin, London). |
| Shira Hess - COMPANY DIRECTOR | |
| Shira is a co-founder of Sorted Productions. Born in Israel, Shira studied Theatre at Jerusalem School of Art. She has a BA(hons) Drama & Theatre Arts from Goldsmiths College, University of London. Shira is currently the full time Administrator for Audiences London. Previously she worked on the administration team at LIFT (London International Festival of Theatre). Production credits: As Producer/Production Manager - Becketts Blue Shorts (BAC); Kick the Breeze (BAC) Yerma (Bridge Lane Theatre). As Production Assistant: The Treatment (Kahn Theatre, Jerusalem), Singularity for the London Mime Festival (Albany Theatre); Company Stage Manager - Bouncers, September in the Rain, Sweeney Todd, Pinocchio, The Elephant Man, The Life and Times of Young Bob Scallion (Brockley Jack Theatre). Design credits: Uncle Vanya (ULU), Lady of the Lake. Directing credits: The Killing of Sister George (Kahn Theatre, Jerusalem); Blindfolded (Goldsmiths Studio 3). |
| FAY CUTHBERTSON - PUBLICITY DESIGN | |
| Originally trained in theatre design at Nottingham Trent, now specialises in print graphic design. Clients include the RSA (Design and Education departments), Sotheby’s, Milton Keynes Gallery (through Unleaded Design, London), Rewrite Theatre Group as well as Sorted Productions. Also set design for Kick the Breeze and Waiting at the Water’s Edge for Sorted. Fay will be joining the Design Laboratory at Central Saint Martins this summer. |
| KATERINA JUGATI - ACTOR | |
| Katerina has worked for Sorted on two occasions, the first as Dolores in Yerma and on tour in 2001 with Waiting at the Water's Edge playing Therese. She trained at P.C.P.A in California which was fab, but she turned her back on Tinsel Town and returned to the bosom of her home city London. And for more years than she cares to recall has been performing in theatre and TV where she's done fun stuff like Birds of a Feather, Love Hurts, The 10%, the inevitable episode of The Bill and achieved a long term ambition for a dramatic screen death as 'Ariadne' in London's Burning. She has done rep. at Manchester Royal Exchange and Ayr, Scotland and performed in many Fringe plays with companies such as the Steam Industry, Instant Classics and the Shadow Syndicate -both in new works and old. She has toured extensively in the UK - as the snotty nosed Sybil in The Really Useful Co's Daisy Pulls it off and the Grand High Witch in David Wood's production of The Witches (also Vaudeville Theatre). And having started a trend for green faced hags, recently performed as Wicked Witch of the West at the Trinity Theatre in The Wonderful Wizard of Oz. It's not easy being green and so lately has opted for acid throwing murderesses instead. |
| BRONWEN PRICE - ACTOR | |
| Having been born and brought up in North Wales, Bronwen trained at the Oxford School of Drama. Roles at Oxford School of Drama included Elizabeth Proctor in Arthur Miller's The Crucible and Phaedra in Sarah Kane's Phaedra's Love. Moving out into the professional world, her first job was for the Yvonne Arnaud Theatre, understudying the part of Ginny in Alan Ayckbourn's Relatively Speaking, directed by Robin Herford. Following this she appeared at Edinburgh's Fringe Festival, where she played Sarah Casey in Phyllis Nagy's Disappeared. Sorted credits: various extracts for Sorted Symposium: Welsh Writing in English, Susie Owen in the Winter 2001 tour of Waiting at the Water's Edge in London and at Clwyd Theatr Cymru. |